Another brief example of ancient traditions reinterpreted by worshipers of Yahweh.
The book of Exodus 25:
31 ¶ And thou shalt make a lampstand of pure gold; of beaten work shall the lampstand be made; its base and its branches, its bowls, its knops, and its flowers shall be of the same.
32 And six branches shall come out of the sides of it, three branches of the lampstand out of the one side and three branches of the lampstand out of the other side,
33 three bowls made like unto almonds with a knop and a flower in one branch, and three bowls made like almonds in the other branch with a knop and a flower; thus in the six branches that come out of the lampstand.
34 And in the lampstand shall be four bowls made like unto almonds with their knops and their flowers.
35 And there shall be a knop under two branches of the same, and another knop under two branches of the same, and another knop under two branches of the same, according to the six branches that proceed out of the lampstand.
36 Their knops and their branches shall be of the same; all of it shall be one beaten work of pure gold.
37 And thou shalt make its seven lamps; and they shall light its lamps, that they may give light over against it.
Ok, so there is this strangely detailed description of a sacred golden lampstand, with 7 lamps in a strict formation of 3 branches on each side a single 7th in the center. The whole lampstand was covered in symmetrical decorations of almond tree blossoms, fruit (nuts/nobs). Naturally many have pondered why this particular design. What was the symbolism?
It was long suggested a connection to Ashera, the goddess often associated with trees especially fruiting ones as a symbol of sexual fertility. This is a huge topic if anyone wishes to pursue it, but to be brief, iconography from throughout the ancient Near East suggest that often the trees were pruned and shaped in a particular fashion to represent the goddess. Typical of the period is illustrated with the iconography from Kuntillet Ajrud (800 BCE) which has the added element of referring to Yahweh and his Ashera (wife/lover).
The Asherah, the Menorah and the Sacred Tree - Joan E. Taylor, 1995
Regarding the 7 lamps/candles, the significance of the number 7 in many religious contexts prevents any definitive explanation, however the one assumed by Philo may be sufficient for this discussion:
(WHO IS THE HEIR OF DIVINE THINGS)
XLVI (215) For the divisions into two equal parts which have been mentioned become six in number, since three animals were divided, so that the Word which divided them made up the number seven, dividing the two triads and establishing itself in the midst of them. ......(221) This much alone we must remind our readers of at this moment, that the sacred candlestick and the seven lights upon it are an imitation of the wandering of the seven planets through the heaven. How so? some one will say. (222) Because, we will reply, in the same manner as the lights, so also does every one of the planets shed its rays. They therefore, being more brilliant, do transmit more brilliant beams to the earth, and brilliant beyond them all is he who is the center one of the seven, the sun. (223) And I call him the center, not merely because he has the central position, as some have thought, but also because he has on many other accounts a right to be ministered unto and attended by the others accompanying him as bodyguards on each side, by reason of his dignity and his magnitude, and the great benefits which he pours upon all earthly things. (224) But men, being unable completely to comprehend the arrangement of the planets (and in fact what other of the heavenly bodies can they understand with certainty and clearness?) speak according to their conjectures. And these persons appear to me to form the best conjectures on such subjects, who, having assigned the central position to the sun, say that there is an equal number of planets, namely, those above him and below him. Those above him being Saturn, Jupiter, and Mars; then comes the Sun himself, and next to him Mercury, Venus, and the Moon, which last is close to the air. (225) The Creator therefore, wishing that there should be a model upon earth among us of the seven-lighted sphere as it exists in heaven, explained this exquisite work to be made, namely, this candlestick. And its likeness to the soul is often pointed out too; for the soul is divisible into three parts, and each of the parts, as has been already pointed out, is divided into two more. And thus there being six divisions, the sacred and divine Word, the divider of them all, very naturally makes up the number seven.
Here Philo relates how the 5 visible planets and the moon represented the branches and the Sun aka the Logos/Word was the center.
In short, we have evidence that the Temple menorah design was a representation of a fruiting, stylized Ashera tree. The 7 lamps may well have represented the 7 principle astrological lights. Philo and his contemporaries (like Christians) had further associated the Logos with the sun.
Does this example suggest the writers of the Torah objected to reinterpretation of ancient enduring symbols? The Temple menorah was a stylized Ashera tree. Vegetal associations with life and fertility are similarly behind the modern Christian use of the Christmas tree. I don't see the difference myself.