F AT black bucks in a wine-barrel room, | |
Barrel-house kings, with feet unstable, | |
Sagged and reeled and pounded on the table, | |
|
A deep rolling bass.
Pounded on the table, | |
Beat an empty barrel with the handle of a broom, | 5 |
Hard as they were able, | |
Boom, boom, BOOM, | |
With a silk umbrella and the handle of a broom, | |
Boomlay, boomlay, boomlay, BOOM. | |
THEN I had religion, THEN I had a vision. | 10 |
I could not turn from their revel in derision. | |
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK, | |
|
More deliberate. Solemnly chanted.
CUTTING THROUGH THE JUNGLE WITH A GOLDEN TRACK. | |
Then along that riverbank | |
A thousand miles | 15 |
Tattooed cannibals danced in files; | |
Then I heard the boom of the blood-lust song | |
And a thigh-bone beating on a tin-pan gong. | |
|
A rapidly piling climax of speed and racket.
And "BLOOD" screamed the whistles and the fifes of the warriors, | |
"BLOOD" screamed the skull-faced, lean witch-doctors, | 20 |
"Whirl ye the deadly voo-doo rattle, | |
Harry the uplands, | |
Steal all the cattle, | |
Rattle-rattle, rattle-rattle, | |
Bing! | 25 |
Boomlay, boomlay, boomlay, BOOM," | |
A roaring, epic, rag-time tune | |
|
With a philosophic pause.
From the mouth of the Congo | |
To the Mountains of the Moon. | |
Death is an Elephant, | 30 |
Torch-eyed and horrible, | |
|
Shrilly and with a heavily accented meter.
Foam-flanked and terrible. | |
BOOM, steal the pygmies, | |
BOOM, kill the Arabs, | |
BOOM, kill the white men, | 35 |
|
Like the wind in the chimney.
HOO, HOO, HOO. | |
Listen to the yell of Leopold's ghost | |
Burning in Hell for his hand-maimed host. | |
Hear how the demons chuckle and yell | |
Cutting his hands off, down in Hell. | 40 |
Listen to the creepy proclamation, | |
Blown through the lairs of the forest-nation, | |
Blown past the white-ants' hill of clay, | |
Blown past the marsh where the butterflies play:— | |
"Be careful what you do, | 45 |
Or Mumbo-Jumbo, God of the Congo, | |
|
All the o sounds very golden. Heavy accents very heavy. Light accents very light. Last line whispered.
And all of the other | |
Gods of the Congo, | |
Mumbo-Jumbo will hoo-doo you, | |
Mumbo-Jumbo will hoo-doo you, | 50 |
Mumbo-Jumbo will hoo-doo you." | |
|
II. THEIR IRREPRESSIBLE HIGH SPIRITS Wild crap-shooters with a whoop and a call | |
|
Rather shrill and high.
Danced the juba in their gambling-hall | |
And laughed fit to kill, and shook the town, | |
And guyed the policemen and laughed them down | 55 |
With a boomlay, boomlay, boomlay, BOOM.... | |
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK, | |
|
Read exactly as in first section.
CUTTING THROUGH THE JUNGLE WITH A GOLDEN TRACK. | |
A negro fairyland swung into view, | |
|
Lay emphasis on the delicate ideas. Keep as light-footed as possible.
A minstrel river | 60 |
Where dreams come true. | |
The ebony palace soared on high | |
Through the blossoming trees to the evening sky. | |
The inlaid porches and casements shone | |
With gold and ivory and elephant-bone. | 65 |
And the black crowd laughed till their sides were sore | |
At the baboon butler in the agate door, | |
And the well-known tunes of the parrot band | |
That trilled on the bushes of that magic land. | |
A troupe of skull-faced witch-men came | 70 |
|
With pomposity.
Through the agate doorway in suits of flame, | |
Yea, long-tailed coats with a gold-leaf crust | |
And hats that were covered with diamond-dust. | |
And the crowd in the court gave a whoop and a call | |
And danced the juba from wall to wall. | 75 |
But the witch-men suddenly stilled the throng | |
|
With a great deliberation and ghostliness.
With a stern cold glare, and a stern old song:— | |
"Mumbo-Jumbo will hoo-doo you."... | |
Just then from the doorway, as fat as shotes, | |
|
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats, | 80 |
Shoes with a patent leather shine, | |
And tall silk hats that were red as wine. | |
And they pranced with their butterfly partners there, | |
|
With growing speed and sharply marked dance-rhythm.
Coal-black maidens with pearls in their hair, | |
Knee-skirts trimmed with the jessamine sweet, | 85 |
And bells on their ankles and little black feet. | |
And the couples railed at the chant and the frown | |
Of the witch-men lean, and laughed them down. | |
(O rare was the revel, and well worth while | |
That made those glowering witch-men smile.) | 90 |
|
The cake-walk royalty then began | |
To walk for a cake that was tall as a man | |
To the tune of "Boomlay, boomlay, BOOM," | |
While the witch-men laughed, with a sinister air, | |
|
With a touch of negro dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there:— | 95 |
Walk with care, walk with care, | |
Or Mumbo-Jumbo, God of the Congo, | |
And all of the other | |
Gods of the Congo, | |
Mumbo-Jumbo will hoo-doo you. | 100 |
Beware, beware, walk with care, | |
Boomlay, boomlay, boomlay, boom. | |
Boomlay, boomlay, boomlay, boom, | |
Boomlay, boomlay, boomlay, boom, | |
Boomlay, boomlay, boomlay, | 105 |
BOOM." | |
Oh rare was the revel, and well worth while | |
|
Slow philosophic calm.
That made those glowering witch-men smile. | |
|
III. THE HOPE OF THEIR RELIGION A good old negro in the slums of the town | |
|
Heavy bass. With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown. | 110 |
Howled at a brother for his low-down ways, | |
His prowling, guzzling, sneak-thief days. | |
Beat on the Bible till he wore it out, | |
Starting the jubilee revival shout. | |
And some had visions, as they stood on chairs, | 115 |
And sang of Jacob, and the golden stairs. | |
And they all repented, a thousand strong, | |
From their stupor and savagery and sin and wrong | |
And slammed their hymn books till they shook the room | |
With "Glory, glory, glory," | 120 |
And "Boom, boom, BOOM." | |
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK, | |
|
Exactly as in the first section.
CUTTING THROUGH THE JUNGLE WITH A GOLDEN TRACK. | |
And the gray sky opened like a new-rent veil | |
And showed the apostles with their coats of mail. | 125 |
In bright white steel they were seated round | |
And their fire-eyes watched where the Congo wound. | |
And the twelve apostles, from their thrones on high, | |
Thrilled all the forest with their heavenly cry:— | |
"Mumbo-Jumbo will die in the jungle; | 130 |
|
Sung to the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you, | |
Never again will he hoo-doo you." | |
|
Then along that river, a thousand miles, | |
|
With growing deliberation and joy.
The vine-snared trees fell down in files. | |
Pioneer angels cleared the way | 135 |
For a Congo paradise, for babes at play, | |
For sacred capitals, for temples clean. | |
Gone were the skull-faced witch-men lean. | |
There, where the wild ghost-gods had wailed | |
|
In a rather high key—as delicately as possible.
A million boats of the angels sailed | 140 |
With oars of silver, and prows of blue | |
And silken pennants that the sun shone through. | |
'Twas a land transfigured, 'twas a new creation. | |
Oh, a singing wind swept the negro nation; | |
And on through the backwoods clearing flew:— | 145 |
"Mumbo-Jumbo is dead in the jungle. | |
|
To the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you. | |
Never again will he hoo-doo you." | |
|
Redeemed were the forests, the beasts and the men, | |
And only the vulture dared again | 150 |
By the far, lone mountains of the moon | |
To cry, in the silence, the Congo tune:— | |
"Mumbo-Jumbo will hoo-doo you. | |
|
Dying off into a penetrating, terrified whisper.
Mumbo-Jumbo will hoo-doo you, | |
Mumbo ... Jumbo ... will ... hoo-doo ... you." |