Terry -
It never fails to amaze me how many lousy recordings are out there.
Flaccid performances of Don Giovanni, hideously bashy renderings of the Goldberg Variations, mechanical harpsichord playing (Trevor Pinnock's version of JSBs keyboard partitas springs to mind) emotionless Webern... The hideously fast performance of the G major prelude in bk II of the 48 by Gould.
Both youtubes are nicely played, the one of Hilary turns a piece which to me is about drama into a two hanky job, with far too much vibrato, and the E major Gavotte is sweetly pretty, a word used by Bach to mock the operas so fashionable in the mid 18th cent. (Remember this was a guy who was cocky and cheeky to his teachers at school, and could have a fight in the town square)
Good playing is very much in the ear of the listener, which is why I am asking around.
I have Segovia playing them on guitar, and Perlman - he could just play open strings and I would be transported. I have John Holloway playing Corellis op 5, with excellent keyboard accompaniment.