Millie210, I agree. This is actually a great example of how a very complex issue (the reality of racism) is being handled in an over-simplistic, knee-jerk reactive way. Yes, GWTW has troubling elements but it also showcased the first black actress to win an Oscar so doesn't removing it discredit McDaniel? The fact is that it was a product of its time, for bad, yes AND for good. Viewing it solely through the lens of racism shuts out the fact that it is far more of a feminist bildungsroman than anything else. Scarlet O'Hara is a remarkable protagonist, not because of her love affair with Rhett Butler, but because she spurred traditional female limitations of her day. Yes, the horrors of slavery are completely ignored and I can understand why some would feel that in and of itself is grounds for censorship (and that's what this is, folks) but I think Mitchell was focused on doing something else with the story. And of course, critics can say well she SHOULD have been focused on depicting slavery in all its horror but when you start telling authors what they should and shouldn't be writing in their works of fiction, then fiction is essentially dead.