Hi Farkel,
I wonder if your "epiphany" is not a flashback to a webpage I posted on the Net in March 1996 (ouch! It been that long?).
I posted the lyrics to Song 8, you know the one with the highly poetical title "Loyally Submitting to Theocratic Order", and the comments read as below:
This is (either you believe it or not) song number 8 from the official (and the only permitted) song-book of Jehovah's Witnesses: Sing Praises to Jehovah.
I'm certain that Jehovah didn't really deserve this, no matter what he did!
Considering that this is the text in the original language, you can perhaps imagine how bad the translated versions are. I know.
We have considered bringing an .au sound clip file so you could hear a JW congregation actually singing this song, but the term "decency" used in US censorship regulations indicates they would clamp down hard on that one...
The loyal Jehovah's Witness elder Lynn Newton described the quality of JW songs with these words in his "Glossary":
inverted word order <> "This paragraph some examples contains of a problem that annoying and significant I find. If creates ever the Society another songbook, I hope that is made significant effort the lyrics of new songs to write and the the lyrics of old songs to rewrite so as the archaic practice of inverting word order to make a rhyme to avoid.'' Not that we should be guided by the standards of modern music lyricists.But speaking as a former musician, songwriter, and one who spent twenty years preparing music for publication I have observed that about the only places the technique is found is in some religious music :-( and in doggerl (chintzy, sentimental verse). Yet hardly a song exists in our songbook that doesn't have word inversions, in some cases in every verse. <> ``Quoth the raven: `Nevermore'!''
What Lynn Newton and other artistic JWs have not realized, is that the message of these songs is not one whim better than the poetry...
- Jan
--
Faith, n. Belief without evidence in what is told by one who speaks without knowledge, of things without parallel. [Ambrose Bierce, The DevilĀ“s Dictionary, 1911]