How many professionally trained musicians on here can even stand the constant consecutive fifths and octaves, the dreadful parallel 7ths, false relations, crossing of parts and other abominations.
Did an amateur write those piano accompaniments, or a very clever satirist?
Give me arch catholic composer Palestrina any day. His settings of the psalms and other scriptures beat anything these clowns churn out. I get more of a spiritual KICK from his Missa Papae Marcelli (the Kyrie Eleison) than any amount of droning kingdumb songs at a$$emblies.
HB