Dickelentz,
We all get that -- your typical Christian breakdown of Jesus's redemptive power as a mediator for us all is not new to most of us here. Part of what this thread is about is the questionable way you've grafted that agenda onto a real life tragedy, exploiting the loss and pain of hundreds in a way that disparages the beliefs of many who were hurt, and the way you deliberately use a shallow, inarticulate, hate-ridden teenager to stand in for atheists everywhere.
Let's make no mistake about this: yours is a modern day morality play, and as such its characters are meant to represent different types of people. But the truth is, most atheists (especially on this board) come to their views by complex avenues paved with much reading, deliberation, and intellectual refinement. But your play hardly probes the legitimacy of that path -- it is only concerned with making its non-believing characters as stupidly callous as possible.
I also find this part of your response curious:
Rejection of God doesn't often end with this type of tragedy. But rejection of God always results in separation from God. This frequently leads to difficult and somtimes tragic consequences.So, to be specific in regards to the content of your play, the theme is that rejection of God doesn't always make people unload bullets into people, but rejection of God sometimes makes people unload bullets into people? What kind of statement is that?
I suppose it'd be lost on you to catalogue the countless murders perpetuated by Christians on non-Christians over the centuries. All too often (probably more often, but I'll leave that alone for now), fanatic Christians unload bullets into people, too. The common denominator seems to be fanatism, or psychological illness -- not whether one believes in God or not per se.
In any event, your play is very offensive to atheists, portraying them only as lost, hateful, gun-toting monsters. In addition to being an atheist, I am also an educator, and the events of Columbine were disturbing in ways I'm not able to describe on a public forum, ways your one-dimensional play doesn't begin to understand.
Dedalus