You are so right about that statement in the foreword of Angels and Women. I understand where you’re coming from but I actually enjoyed the novel. I recommended it to a witness friend a number of years ago. Since I was so embarrassed by the foreword comments section I recommend them only read the Seola version.
Here’s something you may not know. I had a chance to see an original first edition version of Seola. Did you know the author was able to convince the publishing companies of the late 1800’s to keep her name out of the book? It was as if she wanted to remain anonymous or something. This is where I think this book ties into the old leadership of the WT. Rutherford or someone else liked this anonymous nature and thought it aligned well to how WT literature is not credited to individuals. No one person from the writing department is allowed to have their name in the book they worked on, with the exception of Russell and Rutherford.
Also, If you do a comparison of Seola to Angels and Women you get a glimpse of the major differences. As per the foreword of Angels and Women: Who was the one inspired by the fallen angel? Was it the reviser of the 1924 version or was it the original author of the 1878 version? Now that sounds really funny.