In the ancient world, a cosmology was not regarded as factual but was primarily therapeutic; it was recited when people needed an infusion of that mysterious power that had—somehow—brought something out of primal nothingness: at a sickbed, a coronation or during a political crisis. Some cosmologies taught people how to unlock their own creativity, others made them aware of the struggle required to maintain social and political order. The Genesis creation hymn, written during the Israelites' exile in Babylonia in the 6th century BC, was a gentle polemic against Babylonian religion. Its vision of an ordered universe where everything had its place was probably consoling to a displaced people, though—as we can see in the Bible—some of the exiles preferred a more aggressive cosmology.
Interesting. So Karen actually says that we need it because it is comforting or helpful. But I also think that people needed a creation myth because of their limited knowledge. If myth replaces knowledge however artful the results of creativity based on that myth .... it is still myth ... not true. I wonder if it is not really a matter of allowing people a perception. Like the famous Guernica painting of Salvador Dali. no one would argue it is a truthful representation. The way it is created is ... is ugly, eggregious, hateful, appaling and yet .... beautifull in it's own right. But Guernica is no myth.
So where does a rational description of the Spanish civilwar leaves a painting as Guernica?
Lord of the ring is a phantasy story. The book and the movie are entertaining and really capable of snatching you out of this realm into a world of elfs, aardvarks, hobbits, dwarfs and a total war on unprecedented scale of good against evil, strong against frail, big against small, etc.
Where leaves a ratioanal approach to life this Tolkin phantasy?
Cheers
Borgia