steve2,
: In your eyes I overstepped the mark and could have chosen to say nothing or sugar-coated my comments
You know what "Think Tanks" are, I'm sure. Some of the most innovative and novel and grandest ideas have arisen from think tanks. But what most people don't know is that all Think Tanks go by one rule and one rule only: no negative input.
If someone comes up with an idea that seems stupid or unworkable, members are only allowed to try to expand on that idea, not to criticize it. They reason that if it is a bad idea, it will fall of its own weight. On the other hand, if it was a fantastic idea that just seemed to look bad at the outset, the Think Tank will discover that fact, by dialoguing and morphing that idea until it produces something grand.
This is especially true with artists, and I consider writers to be artists. They are extremely sensitive, and harsh critics destroy their spirit and esteem.
I read a great book many years back, being a musician myself. It was called the "Lexicon of Musical Invective" and the book consisted of nothing but critics over a hundred and fifty years panning the works of Mozart, Beethoven, Chopin, Brahms, Prokofieff and Rachmaninoff to name a few. The greatest symphony ever written IMHO was Beethoven's Ninth and you should have seen what many of the critics said about that.
Of course, those critics are long dead, and their names are forgotten and their critiques are of no interest to anyone but a very few; while the music of the composers I've just mentioned are loved and played every minute of every hour of every day of the year for the last 200 years, and are loved by each new generation as much as they were loved by the previous generation.
Sometimes the old saw "If you can't say anything good about something, don't say anything at all" is appropriate.
Farkel