Review from The Hollywood Reporter - with interesting comment regarding the film's title
Apostasy: Film Review | San Sebastian 2017
The Hollywood Reporter, Monday, October 9, 2017
Siobhan Finneran, Molly Wright and Sacha Parkinson lead the cast in writer-director Daniel Kokotajlo's debut, a UK drama premiering at the long-running festival.
Blood proves thicker than (holy) water in writer-director Daniel Kokotajlo's debut Apostasy, one of the year's strongest British films. A beautifully balanced glimpse into the world of Jehovah's Witnesses set in a humdrum corner of Manchester, it premiered at Toronto then belatedly emerged as one of the more buzzed New Directors contenders at San Sebastian.
Set for UK release via Curzon, this downbeat affair should parlay festival acclaim into niche theatrical distribution and small screen exposure. To do so it must overcome a title ("an act of refusing to continue to follow, obey, or recognize a religious faith") that's both tricky to pronounce and too bald a label for the screenplay's complex contents.
Kokotajlo handles some potentially melodramatic plot developments with tact and audacious restraint. Indeed, he takes the very bold step of eliding major incidents which most filmmakers would place front and center. Dividing the story into discrete chapters with cuts to black screen, or sometimes to Bible extracts presented on title cards, Kokotajlo and editor Napoleon Stratogiannakis convey the impression that we are being allowed controlled glimpses into tightly-controlled lives.
This approach risks clinical or mannered results, but in Kokotaljo's hands the emphasis is firmly and profitably upon the characters and their interplay. Crucially, he elicits a trio of exceptional performances from his three female leads.
While undeniably critical in tone and ultimately sympathetic with Luisa's increasingly spiky rebelliousness, Apostasy takes appropriate care to show balanced respect for Jehovah's Witness beliefs, and speaks to much wider issues of fundamentalism, institutional repression and individual free will. It's a timely, sensitive and intelligent work of cinema for which opportunity will now surely knock.
READ FULL REVIEW: http://www.hollywoodreporter.com/review/apostasy-1045595